on Brassland Music with indie duo Buke and Gase, and an acclaimed version of Julius Eastman’s Stay On It on new imprint Sō Percussion Editions. In addition to Let the Soil Play Its Simple Part, Sō welcomed a number of critically acclaimed albums in 2021: Caroline Shaw’s Narrow Sea on Nonesuch Records, A Record Of. This fall they will be performing David Lang’s man made with the Cincinnati Symphony, and touring their new Nonesuch Records album Let the Soil Play Its Simple Partwith Shaw around the United States. Siegel Fellowship), Shodekeh Talifero, Caroline Shaw, and more.
In December 2021, they return for their seventh featured concert at Carnegie Hall with an all-star cast of collaborators, including Grammy-winning soprano Dawn Upshaw, pianist Gil Kalish, Nathalie Joachim (recipient of their inaugural Andrew W. In the 2021-22 season, Sō Percussion returns to live concerts and continues to develop a range of online programs. They are celebrated by audiences and presenters for a dazzling range of work: for live performances in which “telepathic powers of communication” (The New York Times) bring to life the vibrant percussion repertoire for an extravagant array of collaborations in classical music, pop, indie rock, contemporary dance, and theater and for their work in education and community, creating opportunities and platforms for music and artists that explore the immense possibility of art in our time.
#INVISIBLE TOUCH STEVE SHAW TV#
Her work as vocalist or composer has appeared in several films, tv series, and podcasts including The Humans, Bombshell, Yellowjackets, Maid, Dark, Beyonce’s Homecoming, jeen-yuhs: a Kanye Trilogy, Dolly Parton’s America, and More Perfect.įor twenty years and counting, Sō Percussion has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker).
She has produced for Kanye West, Rosalía, Woodkid, and Nas.
Caroline has written over 100 works in the last decade, for Anne Sofie von Otter, Davóne Tines, Yo Yo Ma, Renée Fleming, Dawn Upshaw, LA Phil, Philharmonia Baroque, Seattle Symphony, Cincinnati Symphony, Aizuri Quartet, The Crossing, Dover Quartet, Calidore Quartet, Brooklyn Rider, Miro Quartet, I Giardini, Ars Nova Copenhagen, Ariadne Greif, Brooklyn Youth Chorus, Britt Festival, Vail Dance Festival, and many others. 2022 will see the release of work with Rosalía (on upcoming album MOTOMAMI), the score to Josephine Decker’s film The Sky Is Everywhere (A24/Apple), the premiere of Justin Peck’s Partita with NY City Ballet, the premiere of the new stage work LIFE with Gandini Juggling and the Merce Cunningham Trust, a premiere for NY Philharmonic and Roomful of Teeth, the premiere Wu Tsang’s silent film Moby Dick with live score for Zurich Chamber Orchestra co-composed with Andrew Yee, a second album with Attacca Quartet called The Evergreen (Nonesuch), the premiere of Helen Simoneau’s Delicate Power, tours of Graveyards & Gardens (immersive dance theater work co-created with Vanessa Goodman), and tours with So Percussion featuring songs from Let The Soil Play Its Simple Part (Nonesuch), amid occasional chamber music appearances (Chamber Music Society of Minnesota, Caramoor Festival, La Jolla Music Society). She is the youngest recipient of the Pulitzer Prize in Music for Partita for 8 Voices (Roomful of Teeth), and she works often in collaboration with others, as producer, composer, violinist, and vocalist. Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed.
0 kommentar(er)
